Ham House, Surrey. The Great Hall, with its original black and white marble floor. The ceiling was pierced c.1698-1728 to create the present hall and first-floor gallery. © National Trust Images/Bill Batten

Expertise Search Results

Inga Fraser

Doctoral researcher with Tate and the Royal College of Art. Independent curator and writer.

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Alice Correia

Independent researcher: https://independentresearcher.academia.edu/AliceCorreia Twitter: @AliceATCorreia

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Sarah Cove

Accredited Paintings Conservator & Technical Art Historian Founder, Constable Research Project

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Tania Adams

Pictures & Sculpture Cataloguing Consultant and External Projects Lead. Responsible for paintings, drawings and watercolours, prints, miniatures and sculpture in over 200 National Trust collections (England, Wales and Northern Ireland).

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Edward Town

Leverhulme Post-Doctoral Research Assistant (Making Art in Tudor Britain), National Portrait Gallery

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Cally Blackman

Associate lecturer,  School of Fashion & Textile Design, Central Saint Martins College of Arts and Design

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Dr Kim Sloan

Curator of British Drawings and Watercolours before 1880 and the Francis Finlay Curator of the Enlightenment Gallery

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Dr Sarah Moulden

Curator, 19th-Century Collections (and Interim Curator, 20th-Century Collections) at the National Portrait Gallery, London

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Teresa Doherty

Archives and Information Services Manager, Library, Archives and Information Services Royal College of Nursing.

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Diana Dethloff

Role Lecturer and Academic Administrator Seventeenth-century British painting and patronage, University College London

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Jo Booth

Programme Co-ordinator, National Media Museum and Lecturer, Contextual and Historical Studies, BA Hons Photography, Bradford College.

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