New commission by Charmaine Watkiss at the Royal Albert Memorial Museum, Exeter

Pencil, water soluble graphite, watercolour, ink, colour pencil, 23.44ct shell gold and Rekitts Blue on paper. © Charmaine Watkiss. All Rights Reserved DACS Images.

Charmaine Watkiss, Flash of the Spirit, 2025. Pencil, water soluble graphite, watercolour, ink, colour pencil, 23.44ct shell gold and Rekitts Blue on paper. © Charmaine Watkiss. All Rights Reserved DACS Images.

A new commission by nationally-acclaimed British artist Charmaine Watkiss is on display at the Royal Albert Memorial Museum, Exeter until 16 August 2026.

Charmaine Watkiss is known for works that explore the botanical legacy and healing traditions of the Caribbean through which she traces a lineage to Africa. Inspired by the museum’s West African displays, Watkiss has produced a watercolour drawing and a mask. Her own likeness is represented as a fictionalised double portrait in Flash of the Spirit which also shows a nkisi (power figure) from RAMM’s collection. This carving of a kneeling woman has bilongo (medicines) on her stomach and marine shells inside it, linking it to water spirits.

Creating a mask is a new development in Watkiss’s sculptural practice. It has been directly inspired by the Mukenga (helmet mask) from Kuba in the Democratic Republic of Congo. Unlike the artefact in RAMM’s collection, Watkiss’s mask has a pouch attached containing dried, medicinal herbs and a prayer. Watkiss explains the inspiration for this by saying, ‘this helmet mask will be in a cabinet with traditional African masks that are amazing, artisanal pieces. But I felt that there was a story that’s missing there, and it’s a story about the diaspora, those who were taken away from the African continent. My mask speaks to that journey through material and methods of making. I’m using a lot of weaving on this mask, inspired by weaving traditions that are strong in the Caribbean, particularly in Jamaica.’

Watkiss’s work is held in public collections across the UK including in Abbot Hall Art Gallery, Lakeland Arts; the British Museum and Leeds Museums and Galleries. She is currently showing a new commission in the National Portrait Galleries’ Artists First: Contemporary Perspectives on Portraiture until 2 August 2026.

Charmaine Watkiss is also a guest on the first episode of the Understanding British Portraits network’s inaugural podcast, in which she discusses, alongside artist Curtis Holder and curator Tanya Bentley, connections between contemporary portrait drawing and visual storytelling. Listen to the episode here.

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